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The gill-man - who, by the way, strikingly resembles Mark and David in their aqualungs - represents the single-minded erotic force that makes the heroes compete for Kay. It is what Jack Arnold does with this material that is distinctive.
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That the creature desires Kay is not in itself unusual - this is a Beauty-and-the-Beast tradition that goes back to King Kong desiring Fay Wray and, before that, to the Phantom of the Opera pining for his beautiful singer. This is not underwater ballet of the Esther Williams variety, but one of the most sexually evocative sequences in cinematic history. The ambitious Mark wants to capture the gill-man to become famous the more sensitive David realizes that the creature is only trying to protect himself, and he does not want to destroy it or its habitat.Īs Kay swims in the lagoon - her body is suggestively photographed from below in a way that was to influence Steven Spielberg when he made "Jaws" - the creature swims only a few feet beneath her, his body exactly synchronized with hers, looking up at her. This is not only a battle between two men but also a battle between two kinds of science. But the dynamic that drives the plot is the competition for the beautiful woman scientist, Kay (Adams), between Mark (Richard Denning) and David (Richard Carlson). After the creature kills most of them, they return to civilization without it. In the movie's simple plot, scientists working in the farthest reaches of the Amazon encounter what one of them calls an "evolutionary dead end" - a half-man, half-fish with superhuman strength. In fact, the monster in this evocative and poetic film is almost a subsidiary character. One of the profoundly wonderful things about the movie, however, is that it shows that the menace from without is also a menace from within. But the gill-man spoke powerfully to the era in which he was created - so powerfully that there were two sequels (Jack Arnold did not direct the inferior third one). The unspeakable gill-man of "The Creature from the Black Lagoon" may seem amusing today: A slimy, upright froglike creature whose leering intentions upon the film's heroine, the dishy Julie Adams, are so obvious that they can make today's modern audiences giggle.